The Elements of Style (4th Edition)

Attention high school students about to graduate, job applicants, aspiring attorneys and diplomats, or anyone who has written a love letter: the struggle for accurate expression can be a bittersweet challenge, but it must be taken up. All of society depends on it. Written expression is the oil in social machinery. Failure to make a coherent point can be devastating to purpose. To sum it up succinctly: language matters.The Elements of Style, by Strunk and White, is the standard volume for linguistic clarification. Short, comprehensive, and indispensable, it is the definitive source for its subject. The greater your understanding and use of language, the greater your power to define terms and control events. Language mimics a living organism. Language has character and identity. Though its rules can be vague and full of contradictions, language should be effectively understood to be knowledgeably used. Somewhat magically, The Elements of Style directly answers most questions of usage.Improper usage is painful to see written, and lands with a dull thud when heard in the ear of the knowledgeable. For example, a common mistake in usage, is to say “Between he and I.” The word “between” is a preposition, and therefore takes a third person pronoun. Properly stated, the phrase is “Between him and me.” The proper use of that and which, and further and farther is swiftly explained, as well as the accurate use of punctuation when using parentheses.This small compendium is divided into five parts: Elementary Rules of Usage, Elementary Rules of Composition, A Few Matters of Form, Words and Expressions Commonly Misused, and An Approach to Style (with a list of reminders). The authors offer practical advice but acknowledge that writing well is a mysterious process.First rate writers are rarely satisfied with their work. Norman Mailer wrote, “Good writing is not an act to inspire confidence because it is good, but anguish because it is not better.” This may be because variables are infinite and good style eludes definition.Writers express genius and craft in varying degrees. Craft can be taught; genius is innate and cannot be taught. The authors offer modest avowal: “There is no infallible guide to good writing, no assurance that a person who thinks clearly will be able to write clearly…writers will often find themselves steering by stars that are disturbingly in motion.” For the majority of the ungifted, which is to say most of us, The Elements of Style, by Strunk and White, is an indispensable volume, and should be, like a dictionary, within arm’s reach. —Tom Casey

How does one account for authoritative advice on writing style? While styles of writing vary according to each writer's own preference some guidelines are inevitable to enhance writing clearer for readers. William Strunk's The Elements of Styles has been loved and considered to be one of authoritative manual for writers on this regard. Now deceased former English professor of Cornell University, Strunk provided writers eleven rules of usage (chapter one) and eleven principles of composition (chapter two) along with few other tips and reminders in the rest of the book. Thus Strunk's central claim for clarity of writing comes from concision and precision. However since it has been more than fifty years it was first published, should Strunk's assertions considered to be still valid? Has it praised with sacrifice of creativity? Beginning with a brief summary this review will examine several critical issues addressed in the book such as "should passive voice indicative verb be avoided at all cost?"[Summary]"Vigorous writing is concise...., but that every word tell" E.B. White who became the coauthor who expanded Strunk's work called this as "master[ly] Strunkian elaboration" (xv). The authors of Element of Style not only obsessed with words but also pleaded writers not to waste any word. Their calling of writers to concise and precise writing has been appealing for half century. They begin Style from specific rules of guidance to broad and thematic traits for composition. Readers learn about how to use commas for listings, how to write dates and common abbreviations, use of restrictive clauses, when to break clauses--and how to break them--, why one should not use `s (apostrophe s) when related to Moses and Jesus but use it in other cases even if the word ends in -s.Then in the second chapter the authors toned down a little dealing with principles of English composition. Unlike the first chapter, which originally had seven rules but expanded into eleven, this chapter preserved its original eleven principles from Strunk. He suggested principles that many of them now became a kind of norm for most academic writings: begin a paragraph with a topic sentence; use positive language; use definite, specific, and concrete language if available; avoid a successive loose construction; group conjunctions in similar tone; keep related word together, and also keep the same tense throughout if possible; push your emphasis toward the end of a sentence.In the next three chapters White tried to catch time by supplementing recent and relevant materials to consider for modern writers. Few matters of form (chapter 3) is a culmination of writing tips that can only be found in fragments in various sources. Chapter four "Misused Words and Expressions" so useful that even Grammar Girl often makes reference to some of them. What could have been lacking for a clear writing in 1950s has been supplemented by these last three chapters through White's revision, and even critical readers cannot deny their usefulness to find information in one book.[Critical Evaluation]The unseen success of Style motivated many similar works to follow. Probably three more well-known classics followed its success would be John R. Trimble's Writing with Style, William Zinsser's On Writing Well: The Classic Guide to Writing Nonfiction, and Joseph M. Williams' (or Williams's) Style: The Basics of Clarity and Grace. Tremble began stressing that writing is a simple conversation between author and his reader. He emphasized, unless Strunk, importance of personal characteristic and creative style of the author which readers appreciate more than rigid style. Giving more authority to readership seemed to continue in the field of giving advice for writing, as if some writers were unhappy with Strunk, with a new book from Zinsser writing is something that cannot be contained in rules and principles but endless craftsmanship. Nevertheless, next two decades from 1980s toward the beginning of the new millennium more students became incompetent in their writing styles and such a tendency called for more strict guidelines. Another huge success of Style by Joseph Williams questions if writing is another discipline to be learned and followed under certain equations like mathematics or it is a privileged realm of some people naturally know how to write well.Strunk and other authors do not necessarily compete each other to push across their thesis, but writers--who are main readers of their works--still struggle to find clear advice on their writings. It is only a matter of degree whether this confusion would be greater without works like Strunk or even with it. Overall in many ways Strunk's work cannot be avoided or neglected for any serious writer, because he not only proposed a specific way to a better writing. It was a bold--if not audacious--thesis that he brought into discussion in the first place. It has been useful to students, publishers, editors, and other professional writers, and now with lack of literary competency of new generation of students its need seems to be imperative again. With wide spread of Internet usage someone, like Strunk, must tell students "do's and don'ts" for their poor writings for Internet totally substituted personalized jargons with words with concision and precision. That said, I think that few things suggested in the book should be scrutinized more critically such as use of the first person pronoun (e.g., "I" in this sentence), passive voice indicative verb (e.g., "be scrutinized"), gender-neutral pronouns, and splitting of infinitives. Especially the use of an active voice verb seems imperative in writing for it is preferred and suggested by all writers discussed above. Strunk and White asserted, "The active voice is usually more direct and vigorous than the passive." Their central claim for Style seems to cohere with this point as well. However, if readers seems to deserve more elaborated description about the passive, because these authors are not arguing for all writings but from general perspective. Such as writing for the field of science, legal, politics, history and any disciplines require unbiased and rational fact-report should allow passive voice, if not even prefer it, to be equal option for composition. And (by the way this would be another strike for common rules of writing to begin with a conjunction "and") the Bible has this strong passive called theological passive that whenever the agent is God the Scripture uses passive even omitting the subject. For example, the beatitudes in Matthew 5 are all in this theological passive yet no one ever complains it weaker than active. Readers tend to consider it warranted that Strunk's Style lists absolute rules, but authors do not seem to profess that. Therefore, readers should read Style critically just like any other books they read thus.Conclusion"Little book" as Style is first called even through revisions it remains little in size, but its impact and challenge have grown to be undeniable in many excellent writings. The unexpected harmony and partnership of Strunk and White's have fulfilled their central claim successfully, namely clarity of writing still comes from concision and precision. However, it is readers's (or readers') duty to read everything, even Style critically, and henceforth rather than considering their rules and principles as rigid laws they should follow them as accompanying guidelines for their writings. And that is what I do whenever I write something with desire to fully craft for it to be recognized with excellence.

Toss the stuffy English manuals and grab this book. Strunk and White deliver their wisdom with a touch of wit, ensuring that learning writing feels more like a friendly chat than a lecture. Refrain from letting the authors' casual approach fool you. They deliver their lessons with an authority that is both reassuring and inspiring. There's a reason this book is on every serious writer's shelf. This work is timeless.

Needed for my job but really enjoyed learning from this book.

This is a good book for learning grammar and story formatting. However, it is a very small book which could make it harder to read. I bought this book because it was a required college textbook.

Every writer should have

I like it

Very informative. Great read!

O livro tem me ajudado muito na comunicação com as diversas áreas da empresa e nos relatórios que elaboro para a matriz nos EUA. Tem boas dicas de comunicação que servem para qualquer idioma.

There is nothing to dislike in this book.

La reliure pourrait être plus haut de gamme pour des consultations multiples sur une longue durée…

Let's jump right in.E-BOOKI bought the E-book first and cannot recommend it. Unless you are keen on feasting your eyes on poor formatting, do not buy the E-Book version. The author makes examples side by side to show what a false sentence and a correct sentence look like, easy for the reader to differentiate. In the E-book, these sentences get jumbled and thrown together, creating a self-repeating monstrosity of unsalvagable caliber.Tl;dr: Do not buy the E-book.HARDCOVERAfter my experience with the Ebook, I bought the hardcover. Lo and behold, sentences started to make sense again.In 21 chapters the book manages to effectively and succinctly describe rules of grammarian conduct rules such as the use of possessive singulars, serial commas, the relationship between conjunctions, adverbs, and commas, when and when not to use a colon, semi-colon, or a dash, etc.Furthermore, the book contains information about composition of paragraphs and sentences and a list of common errors that are to be avoided.To summarise: The book is a small bible for grammarian conduct rules for writers and the grammatically inclined.Tl;dr: Buy the Hardcover. The book is fantastic.